Jen DeLuna paints vintage, nude photographs of women in a new light. Her debut solo exhibition at Storage in New York positions the artist as one to watch.
Scottish painter Andrew Cranston revisits his home of nearly 30 years in a new series of haunting works at Karma in Los Angeles.
Two Turkish curators invited artists to turn Greece’s most unexpected destination into a historical wonderland filled with contemporary art.
In Santa Fe, Teresita Fernández juxtaposes her layered practice with works from the late artist Robert Smithson, as well as a third, liminal space that emerges between.
vanessa german’s new sculptures are artifacts of a cosmic pursuit of being. “What if site-specificity was a type of love?” the artist asks. The answer is in the material.
“Night Market” at Christie’s New York meditates on rituals tied to community and identity with works by 34 intergenerational artists of Asian and Pacific Islander descent.
Antwaun Sargent’s new two-part exhibition, “Social Abstraction,” which opens at Gagosian Beverly Hills tomorrow, unearths a deeper social context within Black abstraction.
For Gordon Parks’ posthumous debut at Pace Los Angeles, Kimberly Drew has culled images from the photographer’s paradigm-shifting archives that capture humanity in the face of a historically discriminatory American South.
A sprawling group show at Louise Alexander Gallery in Porto Cervo, Italy, explores themes of beauty through lush visuals and ambiguous narratives.
Nothing says summer in New York like a slew of July group shows before galleries shut their doors for August and everyone juts off to somewhere cool or coastal to escape the heat.
Wendy Red Star’s exhibition at Roberts Projects is the artist’s first in Los Angeles in nearly two decades. It’s underscored by a trio of other projects across the globe.
Cassandra Mayela Allen’s large-scale textile works reinvigorate material and memory. At Olympia Gallery in New York, the artist considers the fragmented immigrant experience.
In upstate New York, a weekend of performance launches Art Omi’s summer season, which features immersive exhibitions by Kiyan Williams and Riley Hooker.
As the natural world rapidly transforms due to anthropogenic impact, Cooking Sections have developed an approach that fuses art and research to imagine sustainable consumption. They call it “climavore.”
Alexandra Bachzetsis communicates the frenetic energy of her personal transformation in the New York debut of her exhibition and performance “Notebook.”
Barry X Ball has been breaking rules since leaving behind his Christian fundamentalist upbringing to become a sculptor. When he discovered robotics, he never looked back, he tells artist and thinker Hamzat Incorporated.
Amanda Wall transforms her own likeness into poetic landscapes that undulate existential and temporal for her debut solo exhibition in New York at Almine Rech.
Calida Rawles' debut solo museum exhibition in the U.S. celebrates the rich heritage and culture of Miami’s historically Black neighborhood, Overtown.
Ed Baynard’s evocative, never-before-seen drawings from a summer in Fire Island are on view at James Fuentes in New York.
Curator extraordinaire Hans Ulrich Obrist’s favorite object is a miniature world of wonders he’s dubbed the Nanomuseum. At two inches in length and three inches wide, it has followed the Serpentine Galleries' artistic director around the world for the past three decades, carrying the works of artists from Yoko Ono to Chris Marker to Jonas Mekas on any given day.
David Medalla’s posthumous retrospective at the Hammer Museum in Los Angeles illuminates his pioneering career.
The Italian artist’s landmark solo show at Gagosian in New York City highlights his knack for infusing humor and irreverence into immersive spaces.
Music, mental health, and machines! In Arkansas, recording music artist Jewel's life-long interests culminate in an immersive exhibition at Crystal Bridges Museum of American Art.
In Paris, Lily Stockman follows Le Corbusier’s designs to cosmic ends inside the late Swiss-French architect’s Maison La Roche.
In Los Angeles, punk-rock artist Kim Gordon revisits her running Design Office trope as she explores living and work spaces through two video pieces, wherein private life bleeds into public persona.
The masterful abstractionist’s collaboration with BMW coincides with her exhilarating career survey at Palazzo Grassi in Venice.
The New Jersey-born, New York-based artist knows a thing or two about love. Her new exhibition this spring at the Broad in Los Angeles is an intimate ode to her community, female empowerment, Black liberation, and queer identity that spans the last two decades of her practice.