Art

Precious Okoyomon wields a poetic storm of invasive flora and resilient fauna, growing, changing, and decomposing. At the center of their frenetic energy, though, is a yearning for equilibrium.

What do Amish women, Civil War reenactors, and alienated young women have in common? Georgia Gardner Gray’s new paintings connect the dots.

Digital space is as consequential as you make it. The interplay between human and electronic thought is a point of intrigue for American Artist—all the better for its fantastical possibilities.

Two new chapters in long-running series by Mungo Thomson consider the infinite nature of collective human experience—and the impossibility of getting it all down on paper.

Joan Jonas has spent a lifetime weaving between mediums, spaces, and moments. Her new New York exhibition “Empty Rooms” reminds us that nothing ever truly disappears. 

Ben Werther’s new paintings in “Townworld” use history as a jumping off point, collaging places from disparate references to question how nostalgia is manufactured.

For nearly a decade, bells have been Davina Semo’s hallmark. Now, her latest trio finds permanent residence along Powder Mountain’s scenic Utah trails.

In Arizona, Hank Willis Thomas’ mid-career retrospective asks: If society picked love over rules, would we be in a better place?

Desert X announces the artist lineup for its 2025 presentation, including site specific works by Sanford Biggers and Agnes Denes.

Isabelle Albuquerque marks the fourth generation of women artists. She sees them in the contours of her own body and how they manifest in her work, she tells her mother, Lita Albuquerque. Across time and space, a collective feminine force reverberates.

America is a rocket launching into the sky and a hurricane sending waves crashing. At the Aspen Art Museum, Heji Shin’s photography captures these moments of rupture, where these two forces collide in a symbolic gesture.

As Black history month comes to a close, Magdalena O’Neal reflects on the symbols of soul that pulse across the work of artists like Betye Saar and Nina Chanel Abney.

The natural world shines through in Diana Al-Hadid’s new, labyrinthine works, in which intricate layers congeal into views of the trees and sky.

Paper founder and iconic downtown personality Kim Hastreiter reflects on her past through her many friends—as well as mementos from those relationships—in a memoir and art exhibition. 

The 16th edition of the Sharjah Biennial successfully tackles many themes even if at times it feels out of context.

Bodies become landscapes and objects take on uncanny life in Tanya and Zhenya Posternak’s photography. Their latest exhibition in New York reimagines how we see the world.

More than half a century has passed since Peter Berlin defined gay imagery through his provocative self portraits. This week in LA, he enters the spotlight once again.

Present reality is the punchline of Sin Wai Kin’s debut U.S. show, with the artist intent on shattering narrative objectivity.

There is a private, far away world that artists return to time and time again. Its parameters, molded in childhood and chiseled away in practice. Like the natural landscape, it is always shifting, eroding, and regenerating anew. We can see it, too, eyes closed: a snow capped mountain, an ancient organism, our body, cosmic. Eyes open, gaze fixed, it is a coil on a vine, a statue, light streaming from a window.

Art week unfurls across Mexico City with a city-wide renaissance celebrating Mexican history and artistic innovation.

Georgian painter Tamo Jugeli reaches new heights with a Los Angeles solo show that reflects her own transformation.

French artist Laurent Grasso’s atemporal landscapes frame Nicolas Ghesquière’s new Louis Vuitton campaign for Spring/Summer 2025.

At a Napa Valley winery, Abraham Cruzvillegas maps local people and places: a departure from the binary way of charting land.

The late artist Dan Friedman's first solo exhibition since 1994 is on view at Superhouse in New York.