Art

Harold Mendez gets site specific as Bella Union’s inaugural artist in residence. At the Napa Valley winery, a survey of his works made at past residencies is a sum of its parts.

Since porcelain was introduced to the west in the 16th century, its craft has carried both the stories of and the prejudices toward Chinese culture. Today, a new generation of Asian women artists reckon with the medium’s past and reclaim its story at the Met.

In Chicago, ancient Roman sculptures remind us that we’ve always been chiseling away at our image.

Digital space is as consequential as you make it. The interplay between human and electronic thought is a point of intrigue for American Artist—all the better for its fantastical possibilities.

TEFAF Maastricht takes visitors on a journey between periods of human urge to create.

Life is a stage, this much Camille Henrot knows. As she contends with Amalia Ulman, the difference between routine and performance is just a line in the sand.

Two new chapters in long-running series by Mungo Thomson consider the infinite nature of collective human experience—and the impossibility of getting it all down on paper.

Joan Jonas has spent a lifetime weaving between mediums, spaces, and moments. Her new New York exhibition “Empty Rooms” reminds us that nothing ever truly disappears. 

Ben Werther’s new paintings in “Townworld” use history as a jumping off point, collaging places from disparate references to question how nostalgia is manufactured.

For nearly a decade, bells have been Davina Semo’s hallmark. Now, her latest trio finds permanent residence along Powder Mountain’s scenic Utah trails.

In Arizona, Hank Willis Thomas’ mid-career retrospective asks: If society picked love over rules, would we be in a better place?

Desert X announces the artist lineup for its 2025 presentation, including site specific works by Sanford Biggers and Agnes Denes.

As Black history month comes to a close, Magdalena O’Neal reflects on the symbols of soul that pulse across the work of artists like Betye Saar and Nina Chanel Abney.

A survey at the Whitney Museum is a full-circle moment for Christine Sun Kim, who worked as an educator at the institution in 2007. In her artistic practice, she still finds herself occupying the same role—though there’s so much more to say.

For its bicentennial anniversary, the community-forward institution tells its history with a three-part exhibition.

Paper founder and iconic downtown personality Kim Hastreiter reflects on her past through her many friends—as well as mementos from those relationships—in a memoir and art exhibition. 

The 16th edition of the Sharjah Biennial successfully tackles many themes even if at times it feels out of context.

With Los Angeles fresh on the world’s mind post-fires, the city’s art community utilizes Frieze to raise money for relief funds and support the local economy.

Bodies become landscapes and objects take on uncanny life in Tanya and Zhenya Posternak’s photography. Their latest exhibition in New York reimagines how we see the world.

More than half a century has passed since Peter Berlin defined gay imagery through his provocative self portraits. This week in LA, he enters the spotlight once again.

Present reality is the punchline of Sin Wai Kin’s debut U.S. show, with the artist intent on shattering narrative objectivity.

There is a private, far away world that artists return to time and time again. Its parameters, molded in childhood and chiseled away in practice. Like the natural landscape, it is always shifting, eroding, and regenerating anew. We can see it, too, eyes closed: a snow capped mountain, an ancient organism, our body, cosmic. Eyes open, gaze fixed, it is a coil on a vine, a statue, light streaming from a window.

Art week unfurls across Mexico City with a city-wide renaissance celebrating Mexican history and artistic innovation.

Georgian painter Tamo Jugeli reaches new heights with a Los Angeles solo show that reflects her own transformation.