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The modern design brand’s New York City flagship celebrates its past and sets the tone for its future.
Puiforcat's latest collection in collaboration with design studio Barber Osgerby combines classical craftsmanship with modern design.
Nestled between Italian oak trees and the Mediterranean Sea, Casa Dinosauro at once blends in and stands out from its environment. Up close, natural materials mimic organic shapes; zoom out and a prehistoric gamble lives on.
Flos and Bottega Veneta reimagine Gino Sarfatti’s iconic Model 600 table lamp in a natural progression of the lamp’s original form.
Flos celebrates its influential design history in a visual campaign merging architecture, lifestyle, and light.
Maximalist Kelly Wearstler is guided by a thirst for unexpected pairings. A look into her overfull downtown LA warehouse reveals lost vintage relics and rubberized treasures soon to come.
Adrian Gaut collaborates with Design Within Reach on a collection of exclusive prints that detail the overlooked moments of Mexico City's skyline.
In Los Angeles, the artist duo Base 10 presents a collection of arboreal furniture reminiscent of their origins.
A New York show of the late French designer Maria Pergay puts forth a selection of her work spanning decades, demonstrating the timeless appeal of her imaginative designs—which were never afraid to take up space.
For its U.S. premiere, the Brussels design fair Collectible brings independent designers, studios, and galleries to New York.
Nordic Knots and Jessie Andrews’ Tase Gallery debut a rug collection that is both contemporary and reminiscent of ‘70s Los Angeles.
David Kohn designs the spaces gallerists show their work, then he builds the places they live. A reverence for the transformative nature of a space animates each of his architectural projects, where rooms spark dialogue with that which they hold.
Both Nicole McLaughlin, whose beloved remixes of everyday objects have set the Internet ablaze, and Aska Yamashita, the artistic director of Chanel-owned Atelier Montex, have certain material fascinations. As it turns out, the two designers seem cut from the same cloth—even half a world and a generation apart.
Herman Miller is reviving two pieces from a pivotal moment in design history: a chair and table designed by Gilbert Rohde displaying modernist influences that were ahead of their time in the lineage of avant-garde American tastes.
Fueled by curiosity, the late Gaetano Pesce’s radical, multidisciplinary approach to making carved a path for a new generation of polymaths, including trailblazing artist and DJ Awol Erizku, with whom he shared one of his final conversations.
One century ago, Svenskt Tenn made a colorful splash in the throes of Sweden’s modernism movement. Today, Maria Veerasamy is leading the design brand to new horizons, while honoring its legacy.
Marcus Samuelsson’s debut furniture collection is ripe with memories from his childhood of growing up in a Swedish fishing village, the colors and patterns of Africa, and the many dreams and laughs shared around the table.
Christian Dior spent his childhood enamored with Japanese art and translated its sensibilities into his legendary designs. Now, Cordelia de Castellane has found new life in his bird and cherry blossom motifs.
Athena Calderone’s name became synonymous with her aesthetic—earth tones and minimalistic, white-on-white decor—until her designs took on a life of their own. Inside her new, moody New York apartment, another adventure awaits.
Alex Tieghi-Walker’s first group exhibition at his eponymous New York gallery evokes the mysterious, ancient, and often enchanted qualities of the remote, forested landscape through newly commissioned artworks and objects by nearly two dozen artists and designers.
Lonneke Gordijn and Ralph Nauta close their eyes and envision a free-flowing future where different ideas coexist and nature is an equilibrant. When they open them, the duo behind DRIFT channel this paradigm shift into kinetic sculptures, some of which exist by recontextualizing familiar relics, an approach they share with the designer Bjarke Ingels.
Pink Essay creates exhibitions and online experiences that examine the weird and wonderful ways design manifests. From London to Seoul, these six up-and-coming makers from its international community are at the vanguard of our built environments.
Marc Newson has made it all—and then remade it twice over. Though a few relics from his iconic industrial and interior practice mingle with personal matters inside his family’s Victoria, London flat, the prolific designer reassures Maison Alaïa creative director Pieter Mulier that he’s hardly stuck in a storage unit.