Art

At a Napa Valley winery, Abraham Cruzvillegas maps local people and places: a departure from the binary way of charting land.

The late artist Dan Friedman's first solo exhibition since 1994 is on view at Superhouse in New York.

Identity, language, and mainstream rejections converge in a powerful symphony between the works of Glenn Ligon and the late composer Julius Eastman.

Science fiction is often lauded for predicting what is to come. But what of its ability to confront history? Sedrick Chisom is prophetic in his rendering of worlds both tethered to the past and spinning outward into the future.

Collier Schorr’s Cosmos reveals the liminal space between artist and subject in an intimate dedication to friend and artist Nicole Eisenman.

A year in Italy’s capital led Todd Gray to reflect on his time in the music industry, with all its ecstatic visuals and calls to worship.

The artist Allison Janae Hamilton looks skyward in “Celestine” at Marianne Boesky Gallery.

For the last 10 years and counting, Patti Smith and Soundwalk Collective have made experimental films that address climate change, art, science, and history. Now in New York, their layered films are on view in totality in their first gallery exhibition.

The world is material for Wilhelm Sasnal. The artist’s new exhibition at Anton Kern Gallery in New York reinforces his penchant for nonhierarchical images.

A new body of work by Huidi Xiang looks to Disney’s classic Cinderella to resurface and honor the unexamined labor of the princess’ eager-to-please critter friends—simultaneously acknowledging their historical real-world equivalents. 

Six empty dresses appear to float on their own at a Dimes Square gallery in New York. Indeed, Brandon Morris’ spectral vision is the natural outcome of his practical skills in fashion and his otherworldly aspirations as a fine artist.

Faith Wilding’s retrospective at Anat Ebgi New York honors the pioneering artist’s 50 years of dedication to life, women, and nature.

Bulgari celebrates its new 2025 snake-like designs with the unveiling of the Serpentine’s first exhibition in Shanghai. 

Over two decades ago, Belgian artist Luc Tuymans opened a door for artists in China with his monograph. Now, one of the country’s most influential artists, he debuts his first comprehensive survey in Beijing.

Mariam Ghani makes sense of loss in an increasingly tumultuous landscape. Her new short film and sculptures offer alternative structures to hold grief.

The world is big, unfathomably so. This much Alicja Kwade knows. The rest, her work seems to posit, is ineffable—a stellar and atomic blip in time.

Creative Time addresses our most pertinent political and social concerns, amplifying them like a megaphone through monumental interventions that overtake vacant buildings, city streets, beaches, buses, and everywhere in between. At its core are its people who have changed the world for the past 50 years and counting.

Is the best art conceived in solitude? As Light and Space legend Larry Bell, who moved to the sparse Southwest from LA, reflects with the prolific Joan Jonas, a frequent traveler to the far-flung island of Cape Breton, Nova Scotia, oftentimes the answer is yes.

For the last six decades and counting, Paul McCarthy has danced a fine line between provocation and play. Three concurrent exhibitions offer entry points to his genre-less practice, which spans video, performance, sculpture, drawings, and more. 

With work displayed across seven galleries and museums worldwide, including a new, bicoastal solo show in New York and Los Angeles, 82-year-old Pippa Garner is still the moment.

Movement takes Kyle Abraham places, and his audience is along for the ride. Time collapses into nostalgia and unflinching reckonings as the choreographer leaves it all on the floor.

Emma Stern’s uncanny universe is a reflection of the world as we know it: technicolor and computer-generated, desire-drenched and fantasy-filled.

Martina Cox’s art is built around exploring what is beneath the folds of garments and outmoded craft practices. For her exhibition at the New York Estonian House with Alyssa Davis Gallery, she turns this inside out.

At OCDChinatown, Devan Diaz’s “Bad Girls” is a pink altar to transsexual potency.