
Prada and Axiom Space designed a sleek spacesuit to be worn by NASA astronauts on their mission to the moon, marking mankind’s first voyage in over 50 years.
She arrives at midnight in six-inch heels, floating on a cloud of oud. Aura metallic. Whispers hum around her like a force field: She says she comes from Saturn. Wet skin, lips. Icy eyes, slicked hair, stacked hoops. There is no other option but to believe her.
At the helm of Issey Miyake, Satoshi Kondo translates the ineffable quality of a cloth—the spaces it fills and forms between the body—into thoughtful garments.
Run your fingers along your clothes and let intuition guide you. Dress and go north until the cityscape disappears and green takes over. If you can’t leave, go within yourself and plant a tree. Wait for it to grow. Climb its branches and look out at the horizon until you’re one with it.
Haider Ackermann has earned the luxury of reflection. Now, the designer known for inspiring desire is surer than ever in the resonance of his own voice.
Clothes shrink and disappear under the unforgiving, white-hot summer sun. But for the whimsical and inspired, the bone-dry heat is no match for the fantasy of getting dolled up. Wools, gowns, hats, tinsel, and sequins are, after all, a glamorous barrier against sunburn—and when the Mediterranean breeze rolls into the eastern coast, they rustle, billow, and glisten to the rhythm of castanets in the distance.
The fashion creations of Torishéju Dumi reveal equal parts distortion and elegance, inspired at once by Nigerian mysticism and a myriad of familial anecdotes.
Not too long ago, style was truly personal. Outfits offered a safe and temporal space to experiment with identity, says Stefano Tonchi. Clothes faded back into the closet after the day was finished, sans digital footprint.
Daniel Lee tapped artist Gary Hume to resurrect his work from the ‘90s for Burberry’s Spring/Summer 2025 show at London’s National Theatre.
Captured by many but only really known by a few, Carolyn Murphy has conquered ubiquity while preserving the sanctity of mystery. But who is the fashion chameleon when she steps back from the glaring spotlight? As the legendary model confides to long-time collaborator Michael Kors: whoever she wants to be.
Prada’s Fall/Winter 2024 campaign has a hotline—call it and the artist, writer, actor, and filmmaker’s voice will answer.
Fleshy eggplant, a recovered Rolex, and the breadcrumbs of a forgotten night—what goes bump by the light of the moon often surprises when revealed the morning after.
Channeling its iconic house codes, Chanel’s new product—at once a necklace, watch, and pair of headphones—is the city dweller’s new Swiss Army knife.
Issey Miyake Homme Plissé releases the first wave of items from its new collection with Ronan Bouroullec, a harmonious blend of billowy silhouettes and gestural strokes.
Balenciaga's new collaboration with Apple allows users to imagine its clothes through spatial computing technology.
Cult grocer Erewhon dips its toe into footwear with a new collaboration with UGG.
The fashion house’s everyday approach to luxury spills out into fragrances that can be lathered on, spritzed atop, bathed in—or all of the above.
Mass produced or hand crafted, decorative or practical, an object always has a subliminal use. Pens to write, clothes to wear, books to read. We see a shape and innately know what to do with it. But what if we didn’t? What if, for a moment, we willed ourselves to forget—and instead of utility, we saw limitless possibility?
Inspired by their dual practices in observance—of shapes, of textures, of objects—Andrés Jaña and Javier Irigoyen examine the temporality of objects and the rhythms and expressions they reveal when given the space to be.
Prized possessions do not arrive often, but when they do, they stay long, inhabiting the warm corners of our lives. These are the materials that distinguish our environments, the poetic flairs that find their way into descriptions of our personhood. She makes her coffee at home, eats an egg from a silver cup, pins her singular style on shoes and bags, and treasures the tangible: well-crafted silverware, china, objects for memories to coalesce.
Inspired by the opulence and glamor of New York’s freewheeling ‘70s, the Chloé’s Spring/Summer 2025 collection channels both the muse and the maker.
Paloma Elsesser is an everywoman in a monomyth. The supermodel has spent her hot ascent to fame atop a pedestal built, in many ways, to reduce its subject to material matter. Her resilience and humanity pervades. This fascination with the charged nature of physicality reverberates in the work of Ser Serpas, the artist who choreographs found objects into animated, poetic, and dystopian scenes.
The house reopened its Washington, D.C. location last week with designs inspired by Gabrielle Chanel’s Paris home and the founder’s love of the arts
Banana Republic’s 2024 Summer collection is rooted in optimistic escapism. Starring American model Taylor Hill, the brand’s latest campaign transports to sun-splashed spots in Mérida, Mexico.
An exhibition on the legendary French fashion designer in Lacoste, France explores his relationship to the world of cinema.